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Activist Collective Asserts to Have Scraped Countless of Music Files from the Streaming Giant

A digital rights group has stated to have harvested millions of songs from the popular streaming service and is preparing to release them online.

Possible Impetus for Artificial Intelligence Training

Industry experts said the apparent data breach could boost AI companies looking for data to train their technology.

An entity called Anna’s Archive said it had obtained 86 million music files from the platform and 256 million entries of associated data such as performer and album names. The company, which hosts more than 100 million songs, confirmed that the breach did not constitute its full catalog.

“We have identified and deactivated the malicious user accounts that were involved in unlawful scraping,” said a Spotify spokesperson.

The Swedish company, which has more than 700 million users worldwide, added that an investigation into unauthorized access identified a external actor collected public metadata and employed illicit tactics to bypass DRM protections.

Archive's Stated Goal and Worries

Spotify does not think the audio taken by Anna’s Archive has been released yet. Anna’s Archive, which is recognized for providing links to pirated books, wrote in a blog it wanted to create a ‘preservation archive’ for music.

The group asserted the audio files accounted for 99.6% of all music listened to by its listeners and would be distributed via ‘torrents’, a method of sharing large data files online.

“Naturally Spotify doesn’t have all the music in the world, but it’s a great beginning,” commented Anna’s Archive, which frames its mission as “safeguarding humanity’s knowledge and culture”.

Model Development and Intellectual Property Battleground

A composer and campaigner for protecting artists’ copyright, said the leaked music would likely be used for developing artificial intelligence systems.

“Training on pirated material is unfortunately common in the AI industry, so this accessed music is almost certain to be used training AI models,” he stated.

The group's website makes references to a large online archive, a vast online archive of copyrighted books that has reportedly been leveraged by the parent company of Facebook to train its AI models.

A founder of an artificial intelligence company posted on the professional network that individuals of the public could in principle “create their own personal free version of the service”. He said it could also enable tech companies to “educate models on modern music at scale”.

Intellectual property law has emerged as a battleground between artists, authors and creatives on one side and tech giants on the other.

Government Proposals and Responses

In the UK, creative professionals have raised concerns against a ministerial proposal to allow AI companies utilize copyright-protected work without consent unless the owner signals. Almost every participant to a government consultation on the proposal has backed artists’ concerns.

A government minister for technology, research and technology informed parliament this month there was “no clear consensus” on the issue, adding that ministers would “take the time to get this correct”. The government has pledged to make policy proposals on AI and copyright by March 2025.

The writer

Sarah Hart

A London-based writer passionate about British culture and contemporary lifestyle trends.

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